Thursday, 5 June 2014

All about Origin at Monmouth Coffee


Finca El Guamal, Huila, Colombia
Farmed by Guillermo Libardo Ome
























Two cups of coffee a day is my limit.  One filter and one double espresso.  Modest by the standards of most coffee drinkers, positively wimpish to many.  What I drink has to be good and I'm happy to pay for it.  Not that I'll hand over my hard-earned money to just anyone with a shiny La Marzocco - not twice anyway.  Call me what you will - connoisseur; addict; coffee snob; or worse - but it's taken me a while to arrive at this place and I'm happy to be here.  So where is "here"?  It's appreciating the work that has gone into a carefully sourced coffee, the growing, the exporting, the roasting and the serving, whether it's beans to take home or a shot on the go.  Most of all it's a thoughtfulness about what I'm buying because I now understand why coffee 'origin' really matters.

ORIGIN: beginning, foundation, root, starting point
The OED

Our thirst for coffee is growing.  Certainly in London there seems to be an endless stream of new coffee shop openings, both chain and independents.  But the cultivation of the Coffea plant is suffering a three pronged attack: climatic oscillations, disease and low pricing.  Most of the coffee industry is still based on purchasing at the lowest price, even in the speciality coffee market.

I asked AJ Kinnell, head of quality assurance at London's Monmouth Coffee, to explain to me the effect of farm-gate pricing.  She told me "If you're a farmer you have to sell 100% of your coffee. You'll have a speciality coffee and you need a market for your lower grade as well.  If the lower quality doesn't go somewhere the good quality can't be grown and the farms go out of business, so big buyers have a role" in taking that coffee.  In the speciality market, however, she feels "buyers could be doing so much more to help growers" just by paying a little bit more.

"The speciality coffee business is about real people...... 
Real product in a cup, the fruit of real effort somewhere 
at the end of a remote track in Guatemala or Rwanda 
or Somalia."
Mercanta, The Coffee Hunters

The impact of low prices on producers and the benefits from paying a premium for top quality have been brought home to Monmouth by their direct sourcing in Colombia.  Practically and financially it has taken many years for them to be able to source in this way.  AJ told me they'd been having difficulty finding good quality Colombian beans over a period of time so decided to step it up a bit.  Instead of going in and buying a predetermined amount of beans, they spread the word to small farmers that they were to hold a competition. There were lots of entrants and they selected 22 small lots of coffee"One of the coffees was only 2 bags because the farm it came from only produced 2 bags of top grade beans that season.  The farmer still had to find a buyer for the lesser grade of beans he produced but he earned a lot of money for those 2 bags and he got to sell his coffee for the first time with his own farm name on it.  For a long time it had just been put into a generic blend."

Monmouth's Chief Buyer, Flori Marin, told me how emotional the competitions are.  "The farmers know we are going to pay a premium.  It's a massive thing for them.  If the grower simply sells to the market they are paid what people think the coffee's worth.  Sometimes it's bought even without tasting.  The coffees we tasted and selected in Colombia the first time were amazing".  There were 86 entries for their first competition and by the second, 6 months later, 360 entries.  "We were able to pay a significant premium over the market rate and people were talking of using the money to pay off their mortgage or move their home down the hill so their children could get to school more easily". Paying a premium price for top quality beans improves the lives of the farmers and enables them to invest in their farms and families to secure viability for the next generation.  Seeing directly the effect of their actions has only made Monmouth more determined to play the long game and work with the farmers to improve coffee origin.

Monmouth don't often talk about themselves.  They've been around for more than 30 years and are focused on sourcing and roasting rather than serving cups of coffee.  The shops are there so that customers have the opportunity to taste the coffees before buying a bag to take home - though that doesn't stop Monmouth being a regular pit-stop for many London coffee lovers.  Their passion is for improving the quality of coffee and the lives of the coffee growers.  Anita Le Roy explains, "The area I wanted to develop focused on origin and quality.  We don't publish vision and mission statements, but we do know what we want to achieve.  The aim of the company is to have a positive impact on quality and price at origin and a positive impact on service and quality for the consumer."  Having only three direct London outlets is a deliberate policy to retain focus on what's important to them.

"The growing number of good independent coffee shops is 
welcome but it's an increase in the number of independent 
roasters that will really raise the bar for good coffee and 
give a better deal to the growers".
Anita Le Roy
Monmouth Coffee

A market for quality coffee has to exist and I asked Anita what she thought was needed to raise customers' expectations for their daily drink.  She told me that although the growing number of independent coffee shops is welcome, "It's an increase in the number of independent roasters that will really raise the bar for good coffee and give a better deal to the growers.  In the 1980's when things were very difficult for us to buy better coffee, with more traceability, I knew what would change things was if there were more roasters asking for high quality.  That would have changed what the suppliers were offering.  Whenever I asked for different coffees I was told no, there was no demand for it".  Throughout the 1980s and 90s "there were so many times when we would show interested people what we were doing.  Jeremy Torz and Steven Macatonia came to see us in the mid-90's before they started supplying the Seattle Coffee Co (they later went on to set up Union Coffee).  It was only about 6-7 years ago that the floodgates opened.  We're really happy about it but I think we still need more roasters."

Coffee Facts:
2009/10 coffee exports US$15.4 billion (est)
2nd most traded commodity after oil
25+ major species of Coffea
60%+ of world production is arabica and canephora (robusta)
26 million workers employed in 52 producing countries

More often than not these days it's beans from one of those Monmouth Colombian coffees that go into my burr grinder.  Currently it's Finca El Guamal grown by Guillermo Libardo Ome at Huila but the coffees come in small lots, so whats on the counter changes regularly.  It's not entirely altruistic on my part as the Colombian coffees Monmouth source are exceptional. Buying better coffee can make a huge difference to the farmers allowing them to invest in the future.  It's what Monmouth Coffee see as "sustainable, fair and equal trade" and it's why these days I'm more thoughtful in my coffee buying habits.

Monmouth Coffee Company
London

Sources and further reading:
Kew Royal Botanic Gardens
A Coffee Crop Withers by Elisabeth Malkin - The New York Times May 5, 2014


Friday, 23 May 2014

Bristol fashion

Ox cheek ragu with ricotta & sorrel dumplings
at Bell's Diner, Bristol

It had been a while, but the first Bristol Food Connections 11-day festival this month was the perfect excuse to pay another visit.  The format appealed because it necessitated visiting different areas of the city instead of the usual crowded events around the quayside.  It was a day-trip which meant we couldn't stay for any of the organised evening events; not even a tempting Cheese School event at Hart's Bakery.  With names like Joe Schneider of Stichelton Dairy; Tom Calver of Westcombe Dairy; Charlie Westhead of Neal's Yard Creamery; and Todd Trethowan of Trethowan's Dairy plus The Wild Beer Company and Raef Hodgson of 40 Maltby Street/Gergovie Wines, it was not an easy prospect to pass up.  But let's start where we did, with breakfast at Hart's Bakery.

Hart's Bakery, Bristol
Tucked under the arches of the approach to Temple Meads railway station, its location couldn't be handier for a train traveller.  Two minutes off the London to Bristol service we were nursing cortados made with locally roasted Extract Coffee and tucking into toasted spiced, fruity, Festival Loaf with muscovado butter; light, moist, lemon cake and apple crumble slice.  With the bakery occupying the far end of the arch space, there's the irresistible aroma of baking breads and croissants, cakes and tarts, pasties and sausage rolls to lure the hungry traveller.  The front space is taken up by a shop counter and cafe.  The feel is more like being invited into someone's kitchen than a commercial space and it's all the better for it.  Good coffee, great food, lovely service, a welcoming atmosphere and you get to take home a damn fine loaf of bread.  I know for sure that next time I visit Bristol, not breakfasting at Laura Hart's Bakery is unthinkable.  

Bristol is a city made for walking.  Gorgeous Georgian architecture, green squares, candy-coloured terraced house overlooking a revitalised harbour side, and thankfully there are plenty of good independent coffee shops and restaurants in between.  I was never going to stick to my usual 2 cups of coffee  a day in this city so we stopped off at Full Court Press (FCP), supplied, amongst others, by Clifton Coffee Roasters (already familiar thanks to its recent weekend guest appearance at Kaffeine).  The skilled and knowledgeable barista was happy to share local knowledge as well as good coffee.  We found FCP was just around the corner from Small Street Espresso which was also on our hit list so, sadly, had to give that a miss - next time for sure as this is the place that kick-started speciality coffee in Bristol.  Later we made it to Didn't You Do Well on Park Row which hadn't been on our list but came up in conversation on the day.  It proved to be a good recommendation - HasBean coffee, shots pulled on a Slayer Seattle-made machine in a beautiful, calm, pared-back room.

Didn't You Do Well
Bristol

So where to lunch?  There were lots of recommendations so the final choice was made on proximity to where we found ourselves at the right time.  Bell's Diner, in the Montpelier district, won out. We checked with locals several times en-route to make sure we were going in the right direction and every single person said "Oh, Bell's Diner, it's great", and it was.  At lunch it's that, lately much-derided, 'small dishes' kind of place and it's a formula I like.  A dish of fresh peas in their pods came with slices of Manchego; Imam Bayildi was tender, smokey and silky; succulent, sweet scallops on cauliflower puree were topped with earthy morels and brown butter; and ox-cheek ragu was suitably melting beneath a trio of featherlight ricotta and sorrel dumplings.  I can't comment on the puddings as we didn't get that far but Prosecco was on tap and a house Molino red was an easy-drinking bargain.

Scallops with morels & cauliflower puree
Bell's Diner, Bristol

There were so many more places on our list.  Apart from Small Street Espresso there's The Lido; Flinty Red; Wallfish Bistro; The Rummer; Edna's Kitchen.  I'm also very keen to get back to Bristol soon to eat at newly-opened BIRCH in Southville for simple, locally sourced and home-grown food. OK, I admit I know owners Sam and Beccy, but believe me you too need to go.

My go-to person for Bristol food recommendations is local food blogger Food With Mustard. She's a mine of information and all round good egg.

Now, if only Hart's Bakery was open beyond 3pm (to fuel the journey home)  Bristol would be getting dangerously near to perfect.

Wednesday, 7 May 2014

Tarte Tatin

Tarte Tatin

The decider was the finding of my ancient cast-iron pan.  I hadn't set eyes on it since the flat move, three whole years ago.  It was the pan I always reached for when caramelisation was on my mind - and only that one would do to burnish sugar to the perfect degree.  Scrabbling around in our dimly-lit store, piled high with 'stuff' we couldn't discard but didn't have room for in a tiny flat', my hand grasped a familiar handle, and it felt good.  After trying to decide for days what pudding to make for a special dinner, here was the serendipitous answer - it had to be Tarte Tatin.  

At 20cm it's the perfect 4 portion size.  I use the word 'portion' rather than 'person' with deliberation because second helpings are more than welcome when it comes to Tarte Tatin. Anyway, it's mostly apples, well mine is because being mean with the fruit in a Tarte Tatin is a sin. No slabs of pastry and a few mimsy slices of apple thank you very much.  Apple halves please with quarters allowed only to plug the gaps.  I'm a fundamentalist about the pastry too.  Purists look away now - I use rough-puff, not puff, and not just because it's easier to make.  It is ridiculously easy but it also produces a pastry with 'bite' to perfectly balance the filling.

Now, I'm as keen as anyone to shop seasonally and locally and there's an English apple for most occasions, but the fact is our apple stores are now bare and expecting a Brit not to eat apples for 4 or 5 months a year is just too cruel.  My apple of choice for this dish is the Braeburn but there are over 3,000 varieties of apple and if we don't use them, we will lose them. These days Braeburns are grown in southern England but were discovered in New Zealand where they're just finishing harvesting this year's crop.  In England they're picked as late as November and store well for up to 4 months.  The fruit is firm and crisp with just the right level of sweetness to stand up to a bit of caramelising without collapsing into a mush.

I must have consulted a recipe the first time I made Tarte Tatin but it's so long ago I no longer remember who to credit.  Still, it's a classic and it's lovely and my pastry recipe is courtesy of the Roux brothers.


Slice of Tarte Tatin
with double cream

Tarte Tatin
(Serves 4 or two greedy people)

You need 150g (6oz) Rough-Puff 
This makes double the amount you need:

125g (4 oz) soft plain flour
125g (4 oz) cold unsalted butter, cut into cubes
Pinch of salt
60ml (2 fl oz) iced water

4 apples (Braeburn or similar), halved and cored
40g (2 oz) unsalted butter
70g (2 oz) unrefined cane sugar

To make rough-puff pastry, add the salt to the flour and place on a work surface.  Add the butter and rub it into the flour.  When the butter cubes are small and half squashed, form a well and pour in the iced water, gradually mixing with a knife until everything holds together - do not knead or your pastry will be tough.  Roll out on a lightly floured surface to a rectangle about 1cm thick.  Fold in three, bottom to mid-point, then top to bottom, and turn 90 degrees.  Roll out again to a rectangle and fold in three again.  You have now completed '2 turns'.  Wrap and refrigerate for 30 minutes.  (If you only want enough pastry for one tart, cut in half at this point and freeze the unwanted half for later and, when you want to use it, defrost, roll and give it 2 more turns).
Roll out the pastry to a rectangle again and repeat the folding process to complete two more turns.  Rest in the fridge for a further 30-60 minutes.
Roll out the pastry thinly (cut in two first if you decided to make two rounds) to a rough circle and cut a disc(s) of around 22cm/9".  Place on a lightly floured tray in the fridge for 30 minutes.

Heat the oven to 220C (Fan 200C)/Gas 7
Melt the butter in a 20cm (8") heavy-based, oven-proof pan.  Add the sugar and cook on a medium heat for 5 minutes to caramelise.  Add the apples, round side down, and cook for 5 minutes.  Top with the chilled pastry disc, tucking the edges down inside the pan, and cook for 2 minutes.  Place the pan in the oven and cook for 30 minutes. Remove from the oven and cool for 4-5 minutes.  Place a serving plate on top of the pan and invert to turn out (take care not to burn yourself with hot caramel).

Good with double cream or vanilla ice cream.

Tuesday, 15 April 2014

Creamed Morels

Creamed morels on toast

I am a reluctant mushroom hunter.  I just don't trust myself to sort the edible from the deadly unless I'm with someone who really, really knows.  Black Morels (Morchella elata) or Yellow Morels (Morchella esculenta) are more distinctive than most.  Beware though as even they can be confused with the False Morel (Verpa bohemia) which bears a slightly less pitted cap.  I do my mushroom hunting at market and am now on the lookout for Morels which are just coming into season.  That said, Morels are less predictable than most mushrooms.  Conditions have to be just right before they will make an appearance.  Amongst other demands is a temperature which doesn't fall much below 5C.

An earthy flavour and the deeply ridged, hollow caps make morels a perfect match for cream, imparting a boskiness to the sauce which willingly coats their creases and crevasses.  They are a brief and expensive treat but you can make them go further by incorporating them into a risotto or a dish of scrambled eggs.  The recipe below is the simplest, and is my favourite, way of celebrating the season.  Morels have an affinity with anise but personally I find tarragon a little too harsh.  I much prefer the subtle anise flavour of chervil but its delicate leaves need to be added just before serving.  This recipe, minus the toast, is also good served with plain roast chicken.

I almost never wash mushrooms, preferring to use a pastry brush to dislodge any debris.  The fissured structure of morels though demands a thorough cleaning so I usually cut them in half before brushing.

Creamed Morels on Toast
(Serves 2)

25g (1 oz) unsalted butter
1 small shallot, peeled and very finely diced
1 handful (about 50g/2oz)of fresh Morel mushrooms, sliced in two (more if large), brushed to clean
150ml (5 fl oz) double cream
Salt & pepper
2 slices of sourdough bread
A few sprigs of chervil

Melt the butter in a small frying pan.
Add the finely-diced shallots and cook gently until completely softened.
Add the morels and cook for 2-3 minutes until softened.  Season with salt and pepper.
Add the cream and cook gently for 1 minute until slightly thickened.
Toast the bread.  Pile the creamed morels onto the toast.  Add the chervil and serve.

Friday, 11 April 2014

John & Elena Fruit & Veg Company at Spa Terminus

Lemons at
John & Elena
Fruit & Veg Company

If you already shop at Spa Terminus on Saturdays you'll be pleased to hear that two familiar faces from nearby Druid Street have arrived.  For those who miss Tony Booth's fruit and veg arch, which closed its doors a couple of weeks ago, this is very good news.  John & Elena, who between them have years of experience in the business, are ready to raise the shutters and welcome old and new customers to their new arch at Spa.



As well as being the base for their new  wholesale fruit and veg business, they will open at the arch for retail trade 8-2pm every Saturday.  Expect top quality fruit and veg staples along with highly seasonal produce and store cupboard must-haves.  You'll find John & Elena trading close by existing Spa Terminus traders Carrington Brown Flowers.  It's great to see another new business putting down roots in the area.


John & Elena
Fruit & Veg Company
5 Voyager Estate South
Spa Road/Rouel Road
Bermondsey
London SE16 4RP
Spa Terminus Map

Update 27 April 2014: Open 3 weeks now and living up to promise and a regular destination on my Saturday shop.

Wednesday, 26 March 2014

Cøffee Lab & Shop (Nomad Productions), Barcelona

Cøffee Lab & Shop (Nomad Productions)
Passatge de Sert 12, 08003 Barcelona

It has to be said, the coffee scene in Barcelona is still very traditional.  Not that there is anything wrong with tradition, but anyone who has spent time in London is likely to be looking for something different.  The sourcing, roasting, brewing and serving of coffee has developed in leaps and bounds in London over the past few years.  We are spoilt for choice with the likes of Monmouth, Square Mile, Union, Workshop, Nude and more.  It's a coffee scene that is driven and sustained not only by Brits but with a high input from our Antipodean friends and the many others from around the world.

After honing his roasting skills at Nude Espresso and operating his own 'Nomad' coffee cart in London's East End, Jørdi Mestre has now returned to his home city of Barcelona to set up Cøffee Lab & Shop (Nomad Productions).  Opening only a month ago, it's already attracting positive attention.

Sometimes I want a straightforward hit of good coffee to wake me up or provide a boost.  In Barcelona I might head for El Magnífico on Carrer Argenteria.  Sometimes I want to appreciate great coffee as I would a fine wine.  Then I'd turn down the Passatge de Sert in El Born.  I'd sit on a three-legged stool in palely beautiful room and watch the master at work.  He'll grind carefully measured beans from one of his own roasts, use a double filter in an Aeropress for a cleaner flavour. He'll use water at the perfect temperature and when the coffee is made he'll pour just the right amount into a fine ceramic bowl.  Or maybe I'll take a Tallat made with fresh milk (not common in Spain where UHT is the norm).  There will be no sugars or syrups.  It's a place to switch off your phone and laptop and just take a few minutes to appreciate the coffee and have a conversation.

If I lived in Barcelona I know I'd be here every day.  I would visit when I was not in a rush and I'd take time to appreciate the  beautiful simplicity of the place.  Here's a link so that Jørdi can tell you about the Cøffee Lab & Shop in his own words, and thanks to Foodie In Barcelona for pointing me in the right direction on my latest visit to Barcelona.

Cøffee Lab & Shop by Nomad Productions
Passatge Sert 12
08003 El Born
Barcelona
Twitter: @nomadcoffeebcn
Current opening times Mon-Fri, 9.30am-3.30pm
Directions: Passate Sert runs between Carrer de Trafalgar and Carrer de Sant Pere Més Alt

UPDATE: From 1 Sept 2014 open 8am-3pm

Tuesday, 25 March 2014

Hofmann Pastelería, Barcelona

Kouign Amann at Hofmann Pastelería   
C/ Flassaders 44, 08003 Barcelona

I'm not the biggest fan of creamy cakes but, had I stayed any longer in Barcelona, I would certainly have been unable to resist the lure of those on offer in Hofmann Pastelería.  If cream cakes are your thing then I'm sure this is the place for you.  Buttery pastries, however, are another thing altogether. Here they caught my attention in a big way.  They were so good I made no fewer than 3 visits on a short trip - I know, I know!  The classic Kouign Amann (above) was soft and flaky inside and caramel-crunchy outside in the way you hope for, but so often don't get.  Croissants were filled with the finest quality almond paste.  I thought the glaze of icing sugar was surely an unnecessary extra - but what do I know?  It was perfect.  You'll also find exquisite looking loaf and special occasion cakes, tarts, biscuits, chocolates, jams and ice creams.

Hofmann is no secret in Barcelona.  Although the Pastelería is only 5 years old, the Hofmann restaurant and cookery school are both nearby,  These are where they first made their name.


Cakes at Hofmann Pastelería
C/ Flassaders 44, 08003 Barcelona

If you want to eat your purchases a la fresca, head for the Park  Ciutadella just a 5 minute walk away.  It's a lovely place to sit - as long as you don't mind the squawking parrots.

Hofmann Pastelería
C/ Flassaders 44
08003 Barcelona
C/ Flassaders is easy to miss.  This narrow street runs between Calle Princesa and Paseo de Born.

Sunday, 16 March 2014

Favours for Food



There is much chatter right now about food bloggers and whether you can trust their restaurant reviews.  At first I ignored it as, like many other bloggers, I write for fun not for food.  The furore centres around two things: the food blogger who responds to the siren calls of PR's offering complimentary meals; and the blagger blogger who offers a favourable review in exchange for a free meal.  As the debate goes on remaining silent on the subject is beginning to feel like I'm keeping my head down so as not to attract unwelcome attention so, here goes.

I can only speak for myself.  Personally I don't accept invitations from PR's to review restaurants and how anyone has the brass neck to blag a meal is beyond me.  I thought of simply tweeting "please read the About Me section on my blog", but that seemed a little attention seeking.  Instead I'm writing this post for those of you who take the trouble to read my blog.  Firstly, I've been on both sides of the fence.  I've worked as a restaurant reviewer and then I went in a totally different direction.  I started blogging over 3 years ago simply to share a love of good food.  I wanted to celebrate chefs, restaurants, writers, traders and food producers who I felt were doing a particularly good job. 

In the case of restaurant reviewing, I do it anonymously and I pay for my food.  Occasionally in a restaurant I'm given a new dish to try.  This happens because I'm a regular and the kitchen values my feedback.  By this time I've already written about the place and they often don't even know I do that sort of thing.  I occasionally manage to book a table during a 'soft opening' - it's good for the diner's wallet and a learning exercise for the restaurant.  Its not a time for reviews as the restaurant hasn't yet settled into its stride.  If I like the restaurant and feel it's going to be my sort of place, I go back later and pay full price before deciding whether or not to write about it. 

According to some professional reviewers, the lack of negative reviews on a blogger's site means they're not to be trusted.  Yikes, they mean me, so, here's the thing.  I don't expect my readers to wade through a post to find out whether or not I like a place.  If I have a good meal, I go back and if I have another positive experience I write a review.  Very occasionally a place is so spot-on I say so after a first visit.  If I don't have a good meal I don't vent my spleen on my blog, I just vote with my feet.  

Just to be clear, I do not get paid to review, nor do I get myself into situations where I feel I have to write a review.  This means I write about places I really like and that is the only reason you will not find negative reviews on my site.

Thanks for reading.

Sunday, 2 March 2014

Buttermilk Pancakes

Buttermilk pancakes

Some things are too good to eat just once a year and pancakes are one of them.  Shrove Tuesday this year falls on 4 March.  It's the one day of the year when I'm definitely not allowed to forget pancakes have to be on the menu.  Shrove Tuesday was the day when the faithful were "shriven" - granted absolution after confession and penance.  It's was also the last day on which foods proscribed by the Church, such as butter and eggs, could be consumed before the annual Lenten fast began. Perhaps it was the thought of the righteously austere 40 days to come that made the day a celebratory one.  Whether you observe Lent or not, you'll probably be mixing up a pancake batter this week.

I've already posted the basic unleavened recipe I normally use on 'Pancake Day'.  To be honest, it's the one I'm most likely to use on Tuesday.  It's the least rich of any pancake recipe I know and also the one my family insist on, maybe more for nostalgic reasons than anything else.  You may prefer this leavened version which I make at other times of the year.  It produces a light but more spongy textured pancake.  This is the result of bicarbonate of soda reacting with the acidity of buttermilk to produce carbon dioxide.

First, a word about buttermilk.  It is not always what it seems.  Buttermilk is a by-product of butter-making.  It is the low-fat, white, milky liquid which separates off during the process.  Traditionally this is allowed to ripen, thickening and developing in flavour over a day or two.  What you'll find on most supermarket shelves is "cultured buttermilk" which is made by adding lactic bacterial cultures to milk.  This unfermented version has none of the 'ripe" flavours that are present in 'true buttermilk' which produces lactic acid naturally.  It's possible to make your own version of buttermilk, though, as I've not yet tried any of the methods I've read about, I'm not going to be the one to tell you how.

So, where does the buttermilk leftover from butter-making go?  Mostly into butter substitute "spreads", although buttermilk is a small proportion of their content along with a lot of other, for me, less desirable ingredients.  I count myself lucky that I can buy delicious Ivy House Farm real buttermilk from Neal's Yard Dairy (see the Ivy House Farm website for other stockists).

This recipe works whether you use true buttermilk or cultured buttermilk.  If you use true buttermilk you'll get a better colour and flavour but a looser batter and therefore the pancakes will spread more.  It's adapted from 'Blueberry Buttermilk Pancakes' in  Chez Panisse Fruit by Alice Waters which I wrote about in Favourite Books.  I don't add fruit to the batter as I find the pancakes cook better without.  I prefer to let people help themselves to fruit and maple syrup .  As you can probably tell from the photograph, these pancakes soak up syrup like a sponge so you could use something less pricey than maple syrup.  I prefer to follow Alice Waters' advice and pour a little melted butter over the pancakes before adding the syrup.  This stops the pancakes sucking up quite so much of the syrup - you may or may not think that's a good thing.  At this time of year I serve bananas. In summer I'll briefly warm some blueberries or blackberries with a pinch of sugar to serve with the pancakes.

Buttermilk Pancakes
(Serves 4-6)

500ml (18 fl oz) buttermilk
2 medium eggs
80g (3oz) unsalted butter, melted
200g (7oz) all-purpose flour
1 tablespoon caster sugar
2 teaspoons Bicarbonate of Soda
Good pinch of salt

Mix together the buttermilk and the eggs with a fork.
Stir in the melted butter.
Sift together the flour, bicarbonate of soda and salt.
Add to the liquid mixture, together with the sugar, mixing gently until just  combined (the batter still a little lumpy).
Heat a pancake pan or griddle to medium-hot.  Grease the pan lightly with sunflower oil or butter.
To make each pancake, add 3 tablespoons of batter to the pan and cook until bubbles burst all over the surface and the underside is golden brown.  Turn and cook until the other side is golden brown. 
Keep warm in a low oven if necessary.

Serve with sliced bananas (or warmed seasonal berries), melted butter and maple syrup.


Thursday, 13 February 2014

The return of Polpetto

Mussels, cannellini , three-cornered garlic

I knew I missed Polpetto but until today I didn't know how much.  Its original incarnation was Upstairs at the French House on Dean Street in the heart of London's Soho.  I wrote about it soon after it opened in autumn 2010 and by May 2012 it was no more.  An awkward room and too small a space (23 covers) caused owners  Russell Norman and Richard Beatty to find a more suitable location for their spin-off from Polpo.  I doubt they thought it could take this long but the new Polpetto is now a reality, having quietly opened this week on Berwick Street just a 2-minute walk from the original site.   In the intervening period Chef, Florence Knight, has become rather better known through TV appearances and writing a rather good book - One: A cook and her Cupboard. I suspect it would have been easy for her to go the celebrity chef route, had she wanted to, but, no, she's back in the kitchen.  So, has absence made the heart grow fonder?  Or did the passage of time cloud my memory?


Cavolo Nero, anchovy, burnt bread

I soon realised none of that matters.  I'm breaking my rule of at least two visits before giving an opinion because, two dishes into lunch, I was sure I would be coming back again and again, and that's what counts.  I love a chef who's confident enough to use very few ingredients in a dish. Florence Knight does this with dish after dish and flavours sing out with clarity.  It's an admirably short seasonal menu of 11 savoury dishes ranging from £2.50-12, 4 sides £3.50-4, and 5 desserts £3.50-7.

A plate of off-menu crunchy Camone tomatoes dressed with a little olive oil was served for the sheer joy of having such wonderful fruits in the kitchen.  Cavolo nero with anchovy and burnt bread turned out to be young leaves of raw black cabbage given the caesar salad treatment.  Despite the fact I grow cavolo nero I'd never even thought of eating it raw, but I will now.  The little croutons were, thankfully, far from burnt but crisp airy pillows of loveliness.  Sweet mussels came with cannellini beans and three-cornered garlic, the flavours heightened with mild chilli rather than the savage punch of heat all too often delivered.


Scallops, cauliflower, lardo

Perfectly caramelised scallops were on cauliflower two ways - pureed and roasted - and draped with wafer thin slices of luscious lardo.  It was a dish of so much promise I could barely wait for the plate to hit the bar before tasting it.  It did not disappoint.  Hare pappardelle was a deep-flavoured, gamey dish which slipped down far too easily.  Veal cheeks came cooked in white wine with slices of fennel.  The meat's gelatinous quality had melted deliciously into the sauce leaving soft, tender cushions of meat.  So far, so uncritical but there was a minor flaw in the form of a side dish of Wet Polenta.  In my mind's eye I ordered it thinking it was going to complement the veal saucing in much the same way as a buttery mashed potato does for an English stew.  It was too stiff to work as I had hoped, but that's a minor point.


Maple tart

A slice of Maple tart  was a divine, caramelic, custard of perfect wobbliness and a glass of Royal Tokaji paired with it very nicely.

Creamy Polpo house Prosecco and Corvina were good value choices out of a list of wines ranging from House at £18 to £83 for a Barolo 'Brunate' Marcarini 'La Morra' 2008, most also available by 25cl or 50cl carafe.

Anyone who has eaten at Russell Norman's restaurants before will expect attention to detail so no surprise that it's here in spades.  It's a nice space - 70 covers I think, though it feels more intimate.  The basement has four tables.  True they're on route to the loos but on the opposite side of the room you have the theatre of a great kitchen. I certainly won't be turning my nose up if offered one.

Dishes like Burrata, agretti and chilli; Bacon chop, whitty pear butter and walnuts; Milk pudding, rhubarb and rose, will all have to wait for another time.  And there will be lots of other times.

Polpetto
11 Berwick Street
London
W1F 0PL
020 7439 8627